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Entries of copies are dated 2 Mar 1657-24 Jan 1683; information given includes name of property owner, name of person/s under whose hand/s the copy is entered, title of work, name of author and amount paid (usually 6d per title); there are very few cross references in the margins to entries elsewhere in the volume.

Front cover reads 'A Register Booke of Coppies Begining March 1656 [new calendar 1657] & Ending January 1682'. [new calendar 1683]

At the top of the first page is written 'The Register of Copies. Mr Robert Meade, Master. Mr Humphrey Robinson, Mr Richard Thrale, Wardens. Anno domini 1656. Liber F' (new Masters and Wardens are named periodically through the volume).

On the final page is a list of five memoranda relating to caveats restricting the entering of specified works, 5 Sep 1675-8 Dec 1682. The list is not in chronological order. At the foot of this page titles have been written upside down that suggest the volume was intended for another use, possibly as a register of shares.

Significant entries of copies include:

page 42: William Shakespeare's The Merchant of Venice, transferred from Bridget Hayes and Jane Graisby to William Leake, 17 Oct 1657.

page 96: Ben Jonson's Works volume 3 containing Fifteen Masques at Court and elsewhere, Horace's Poetry, English Grammar, Timber or Discoveries, Underwoods, The Magnetic Lady, A Tale of a Tub, The Sad Shepherd or A Tale of Robin Hood, and The Devil is an Ass, entered for Thomas Walkley, 17 Sep 1658.

page 107: Ben Jonson's Works volume 3 containing Fifteen Masques at Court and elsewhere, Horace's Poetry, English Grammar, Timber or Discoveries, Underwoods, The Magnetic Lady, A Tale of a Tub, The Sad Shepherd or A Tale of Robin Hood, and The Devil is an Ass, transferred from Thomas Walkley to Humphrey Moseley, 20 Nov 1658.

page 114:

, entered for Henry Herringman, 20 Jan 1659.

page 119: John Milton's A Treatise of Civil Power in Ecclesiastical Causes, entered for Thomas Newcomb, 15 Feb 1659.

page 193: Beaumont and Fletcher's The False One, The Nice Valour or The Passionate Madman, Wit at Several Weapons, The Fair Maid of the Inn and The Masque of the Gentlemen of Grays Inn and the Inner Temple, entered for Humphrey Robinson and Humphrey Moseley, 29 Jun 1660.

page 196: Beaumont and Fletcher's The Faithful Friends, and A Right Woman; also The History of King Stephen, Duke Humphrey, a Tragedy, and Iphis and Iantha or A Marriage Without a Man' by William Shakespeare', entered for Humphrey Moseley, 29 Jun 1660.

page 287: John Dryden's The Rival Ladies, entered for Henry Herringman, 27 Jun 1664.

page 302: John Dryden's The Indian Emperor, entered for Henry Herringman, 26 May 1665.

page 330: John Dryden's Annus Mirabilis, entered for Henry Herringman, 21 Jan 1667.

page 336: John Dryden's An Essay of Dramatick Poesie, The Wild Gallant and The Maiden Queen, entered for Henry Herringman, 7 Aug 1667.

page 336: Ben Jonson's Works volume 3 containing Fifteen Masques at Court and elsewhere, Horace's Poetry, English Grammar, Timber or Discoveries, Underwoods, The Magnetic Lady, A Tale of a Tub, The Sad Shepherd or A Tale of Robin Hood, Mortimer's Fall, The Devil is an Ass, and The Widow, transferred from Ann Moseley, widow of Humphrey Moseley, to Henry Herringman, 19 Aug 1667.

page 337: John Milton's Paradise Lost, in ten books, entered for Samuel Symons, 20 Aug 1667.

page 356: John Dryden's Tyrannick Love, or the Royal Martyr, entered for Henry Herringman, 14 Jul 1669.

page 369: John Milton's Paradise Regained and Samson Agonistes, entered for John Starkey, 10 Sep 1670.

page 378: John Dryden's Almanzor and Almahide or the First and Second Part of the Conquest of Granada, entered for 25 Feb 1671.

page 413-416: Fletcher and Beaumont's The Mad Lover, The Wild Goose Chase, The Little French Lawyer, The Loyal Subject, The Spanish Curate, The Custom of the Country, The Double Marriage, A Wife for a Month, The Island Princess, The Pilgrim, The Laws of Candy, The Woman's Prize or The Tamer Tamed, The Knights of Malta, The Captain, The Noble Enemy or The Humorous Lieutenant, Women Pleased, The Tragedy of Bonduca, The Chances, The Sea Voyage, The Maid in the Mill, The Queen of Corinth, The Coxcomb, The Noble Gentleman, The Beggar's Bush, The Honest Man's Fortune, The Martial Maid, The Tragedy of Valentinian, The Prophetess, Love's Pilgrimage and The Lover's Progress, transferred from Humphrey Robinson to John Martin and Henry Herringman, 30 Jan 1673.

page 417: John Dryden's The Assignation, or Love in a Nunnery, entered for Henry Herringman, 18 Mar 1673.

page 418: John Dryden's Amorous Adventures, or Marriage a la Mode, entered for Henry Herringman, 18 Mar 1673.

page 423: John Dryden's Amboyna, or the Cruelties of the Dutch to the English Merchants, entered for Henry Herringman, 26 Jun 1673.

page 458: [William Shakespeare's] Henry V, Sir John Oldcastle, Titus Andronicus, Eurialus and Lucetia, 'Yorke and Lancaster' (Henry VI parts 2 and 3), Agincourt, Pericles, Prince of Tyre, Hamlet, A Yorkshire Tragedy, The Tempest, Two Gentlemen of Verona, Measure for Measure, The Comedy of Errors, As You Like It, All's Well That Ends Well, Twelfth Night, Winter's Tale, Henry VI part 3, Henry VIII, Coriolanus, Timon of Athens, Julius Caesar, Macbeth, Anthony and Cleopatra, and Cymbeline, transferred from Elianor Cotes, widow of Richard Cotes, to John Martin and Henry Herringman, 6 Aug 1674.

page 499: John Dryden's Aureng Zebe, or the Great Mogul, entered for Henry Herringman, 29 Nov 1675.

page 535: Aphra Behn's The Rover, or the Banished Cavalier, entered for John Amery, 7 Jul 1677.

page 547: John Bunyan's The Pilgrim's Progress from This World to That Which Is to Come, entered for Nath. Ponder, 22 Dec 1677.

page 557: John Dryden's All for Love, or the World Well Lost, entered for Master Herringman, 31 Jan 1678.

page 598: John Dryden's Truth Found Too Late, entered for Jacob Tonson and Abel Swall, 14 Apr 1679.

page 602: John Dryden's The Grounds of Criticism in Tragedy, entered for Jacob Tonson and Abel Swall, 18 Jun 1679.

There are two series of entries of copies in this volume. Much of the volume is unused. The main series of entries of copies is dated 29 Jan 1683-12 Feb 1696; information given includes name of property owner, title of work, name of author, and amount paid (usually 6d per title); entries include name of person/s under whose hand/s the copy is entered, and from 27 Feb 1683 for a period of about a year the name of a witness (mostly Martin Newton, occasionally John Walston or William Scoresby) is usually given (see description below of new method of entry on page 8); from 27 Feb 1683 to 31 Mar 1687 a signature is present for each entry, often but not always that of the property owner; from 7 Apr 1687 the entries in Liber G were copied from the draft register of entries of copies (see TSC/E/07) and the draft register contains the original signatures; there are very few cross references in the margins to entries elsewhere in the volume.

Spine reads, handwritten, 'Book of Entry of Coppies from 1682 [new calendar 1683] to 1695'. [new calendar 1696]

At the top of the first page is written 'The Register of Copies. Mr Samuel Mearn, Mr Francis Tyton, Mr Henry Hills, Wardens'.

The second series of entries of copies is dated 10-29 Apr 1710, and is found towards the end of the volume, entered upside down, comprising 23 unnumbered pages; at the top of the first page of this series of entries is written 'Anno domini 1710 Captain William Phillips, Master. Mr Thomas Hodgkin, Mr John Baskett, Wardens'; information given includes name of property owner, title of work, name of author, and amount paid (usually 6d per title); the property owner often signs the entry. An insert in this section is a sheet of paper with the text of an entry of 19 Apr 1710, from which the entry may have been made, or may be a copy of the entry.

A pencil note on the front fly leaf reads 'The 14 leaves at end should be extracted and put with the 1710-46 vol'.

On page 8 a new method of entry is recorded: 'Stationers Hall. A New Meathod of Entry of Bookes Pursuant to a By Law of this Company made & Ordained at a Comon Hall the 6 day of Decem 1682 and approved, confirmed and ratifyed by the Right Honorable Sir Francis North, knight, Lord Keeper of the Great Seale of England, Sir Edmund Saunders, knight, Lord Cheife Justice of His Majesties Court of Kings Bench, & Sir Francis Pemberton, knight, Lord Cheife Justice of His Majesties Court of Comon Pleas at Westminster by Deed under their hands & Seales the 10th day of February 1682, begun the 27th of February 1682'.

On the final page of the volume is a list of five entries of caveats (a sixth dated 10 Aug 1687 is scored out) restricting the entering of specified works, 4 Aug 1684-9 Aug 1687. The list is in chronological order and at the foot of the page is written, 'This was don by me the 27th March 1689. Witnesse my hand Hugh Ryder'.

An insert at pages 188-189 is a note in a later hand of page 8 'New Method of Entry' and page 20 'John Kigdale a whole Duty of Man'.

[Myers states 'Includes entries for 4 Apr 1684 to 12 Jan 1686 (7 ff) - I can't see what she is referring to, unless mistakenly to the final page of the volume]

Significant entries of copies include:

page 34: William Shakespeare's Hamlet entered for Robert Everingham, with a note, 'This book is to be printed by me for Richard Bentley, he not being free of the Company it is entred in my name in trust for him. RE'. A memorandum in the margin notes that 'a moyetie of this coppy belongs to Mr Henry Herringman. Witnesse John Garrett Ck [Clerk] this 19th Dec 1683, & was the whole entred to Mr Everingham by mistake', 19 May 1683.

page 58: John Milton's Paradise Lost, in twelve books, entered for Brabazon Aylmer, 24 Jul 1683, after being assigned to Brabazon Aylmer by Samuel Simons, 27 Oct 1680.

pages 63-73: Beaumont and Fletcher's The Mad Lover, The Wild Goose Chase, The Little French Lawyer, The Loyal Subject, The Spanish Curate, The Custom of the Country, The Double Marriage, A Wife for a Month, The Island Princess, The Pilgrim, The Laws of Candy, The Woman's Prize or The Tamer Tamed, The Knights of Malta, The Captain, The Noble Enemy or The Humorous Lieutenant, Women Pleased, The Tragedy of Bonduca, The Chances, The Sea Voyage, The Maid in the Mill, The Queen of Corinth, The Coxcomb, The Noble Gentleman, The Beggar's Bush, The Honest Man's Fortune, The Martial Maid, The Tragedy of Valentinian, The Prophetess, Love's Pilgrimage and four plays or moral representations; also William Shakespeare's Henry V, Sir John Oldcastle, Titus Andronicus, Eurialus and Lucetia, 'Yorke and Lancaster' (Henry VI parts 2 and 3), Agincourt, Pericles, Prince of Tyre, Hamlet, A Yorkshire Tragedy, The Tempest, Two Gentlemen of Verona, Measure for Measure, The Comedy of Errors, As You Like It, All's Well That Ends Well, Twelfth Night, Winter's Tale, Henry VI part 3, Henry VIII, Coriolanus, Timon of Athens, Julius Caesar, Macbeth, Anthony and Cleopatra, and Cymbeline, transferred from Sarah Martin, widow of John Martin, to Robert Scott, 21 Aug 1683.

page 95: John Dryden's An Essay of Dramatick Poesie and Marriage a la Mode, entered for Master Herringman, 8 Nov 1683.

page 170: John Bunyan's The Pilgrim's Progress from This World to That Which Is to Come. The second part, entered for Nath. Ponder, 22 Nov 1684.

page 226: Aphra Behn's The Disappointed Marriage, or the Generous Mistress, entered for Edward Poole, 8 May 1686.

page 247: Aphra Behn's The Emperor of the Moon, entered for Jos. Knight and Francis Saunders, 24 May 1687.

page 247: John Dryden's The Hind and the Panther, entered for Jacob Tonson, 27 May 1687.

page 282: Tracts of John Milton, entered for Awnsham Churchill, 30 Jan 1689.

page 309: John Dryden's The Prologue and Epilogue to the History of Bacon in Virginia, entered for Jacob Tonson, 20 Nov 1689.

page 311: John Dryden's Don Sebastian, King of Portugal, entered for Jos. Hindmarsh, 17 Dec 1689.

page 331: John Dryden's translation into English verse of the first, sixth and tenth Satires of Juvenal, entered for Jacob Tonson, 9 Feb 1691.

Entries of copies are dated 28 Apr 1710-25 Sep 1746; information given includes name and signature of property owner, share (usually the 'whole', sometimes 'a moiety', etc), title of work, often name of author, amount paid (usually 6d per title) and frequently number of copies [ie of the work] received; until Apr 1725 most entries are annotated 'New' or 'Old'; there are no cross references in the margins; with integral index by property owner (see Copies field below for later index)

At the top of the first page is written 'A Register of the Copies of Books beginning the 10th of Aprill 1710, Pursuant to an Act of Parliament Anno Octavo Regine Anne Entitled An Act for the Encouragment of Learning by Vesting the Copies of Printed Books in the Authors or Purchasers of such Copy dureing the Times therein Mentioned. Mr William Phillips, Master, Mr Thomas Hodgkin, Mr John Basket, Wardens'.

A pencil note on the front fly leaf reads 'For April 10-29 1729 (including R. Mount's navigation books) see end of 1682-95 volume'.

Inserted are:

pages 379-380: letter to Mr Simpson [Thomas Simpson Junior, Treasurer, 1734-1755] at Stationers Hall from John Darby enclosing 'nine of Hibernicus's Letters, as printed in the Dublin Journal, which I enter'd in the Hall-book, I think, about a year or two ago', 26 Apr 1729.

pages 428-429: correction to an entry on page 313.

pages 454-455: letter to Mr Simpson from Bernard Linton requesting that he 'enter the property of this first volume of Mr Popes Works in my name till Mr Tonson can clear up his right to Mr Popes satisfaction', 22 Jan 1735.

pages 470-471: letter to Mr Simpson from B Motte requesting he be given notice if 'the Tracts of Scriblerus come to be enter'd in the Hall Book', 6 May 1737.

Significant entries of copies include:

page 242: [John Arbuthnot, John Gay, and Alexander Pope's] Three Hours After Marriage, entered for Bernard Lintot, 19 Jan 1716.

page 278: [Daniel Defoe's] Robinson Crusoe, entered for William Taylor ('written by himself'), 3 Aug 1720.

page 344: Gulliver's Travels, entered for Benjamin Motte, 29 Nov 1726.

page 402: [Henry Fielding's] The Author's Farce and the Pleasures of the Town, entered for John Watts, 10 Apr 1730.

page 409: [Henry Fielding's] Rape Upon Rape, entered for John Watts, 23 Jul 1730.

page 418: [Henry Fielding's] The Letter Writers or a New Way to Keep a Wife at Home, entered for John Watts, 12 Apr 1731.

page 418: [Henry Fielding's] The Tragedy of Tragedies or The Life and Death of Tom Thumb the Great, entered for John Watts, 12 Apr 1731.

page 422: Henry Fielding's The Modern Husband, entered for John Watts, 22 Feb 1732.

page 533: Samuel Richardson's Pamela volumes 1-2, entered for Samuel Richardson, Charles Rivington and John Osborn, 4 Nov 1740.

page 547: Samuel Richardson's Pamela volumes 3-4, entered for Samuel Richardson, 30 Nov 1741.